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从一条通知航班取消的短信开始了这一段自我隔离的行为项目,是一次我与自身以及故土和解的一次尝试。在这场迟到的归途中,在绝对隔离的14天中,对自我存在的质疑、对未知时间的幻想与等待中,唤起了我对故土的想象和自身记忆。

我一直关注于日常生活中的微妙时间差异造成的感知体验,即内在时间。我无论如何都无法想象与填补那些被困在家中的70多个日夜的感受,我意识到唯有将自己的时间偿还给它,还给这个我一直没有故土感的城市,才能弥补那些因缺失而阻断的想象。

在这个项目中,我将自己置身于没有时间参考的房中14天,不用手机电脑,没有时钟,只留下一块早已停在某年某月的不知是上午还是下午的5点10分的手表,以及被我设置成2020年1月1日的监控相机在床对面记录我14天的行为。窗外环境的声响以及人发出的声音是我唯一能模糊判断时间的依据,我在这间房内重复的做着相同的事情,起床,写作阅读,抽烟,吃简单的事物,睡觉,等待。把自身从事物中抽离迫使回到自我的意识中,在一种没有对象参考物的时间中,在一种虚无中去证明自己的存在。

This is a performance project of self-isolation, which is an attempt for a reconciliation between myself and my homeland. On this late homeward journey which was a 14-day absolute isolation, the queries about self-existence and fantasy and waiting for the unknown time both evoked my imagination and memory of my homeland.

 

During the whole this project, I have stayed in a room with no time reference for 14 days, without the mobile phone, computer and even a clock, leaving only a watch that had been stopped at 5:10 which was uncertain whether it was a AM time or PM time. And I have set the monitoring time on January 1, 2020. The sound of the environment and people outside the window was the only basis for me to judge how much time had passed vaguely. I did the same things repeatedly in this room, getting up, writing and reading, smoking, eating simple things, sleeping, and waiting.

I wrote a letter every day, and slipped under the door. My family would send the letters to my friends the next day. There were totally 14 letters. And every day I recorded what I think of "this moment" via taking a photo and writing.

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我每一天都会写一封信,塞在门缝中由亲人隔天随机寄给我的某位朋友,一共14封信件,并且每天我会拍摄下这些信写完被塞进门缝的照片并记录下我所认为的“此刻”时间。

这些信就像一本非虚构叙述集,信中出现的我、你和她都是作者本人。作者让三个人彼此对话,文字是这个行为中最为重要的一个部分,它们连接了我的过去和现在,真实和想象。当真实的物件和过去的图片出现在这些文字的旁边时,当我们看到十年前的散落在故土家宅的花瓣出现在大洋彼岸的欧洲时,当我们看见信件中的物件真实存在时,文字间隐藏的是真实的记忆还是虚构的幻想? 我们的时间被停留在了哪个时刻?

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