Han Qian (b. 1993, Wuhan) received her BFA in Printmaking from the Academy of Fine Arts of Rome in 2016, and her MFA/DNSEP from the École Nationale Supérieure des Beaux-Arts de Paris in 2021. She currently lives and works between Wuhan and Kunming.
Her practice spans video, installation, performance, and printmaking. Over the years, she has been concerned with time, memory, and the traces of objects and histories that adhere to them. Her work engages with the trajectories of family histories and industrial migration, tracing generations of displacement and settlement, and reimagining the shifting landscapes, identity politics, and forms of territorial belonging that arise in their wake.
Through the reconfiguration of hidden clues and fragile materials, her practice focuses on the precariousness of marginal lives and the experiences of individuals overlooked or dispossessed within systems of power. At once a pursuit of fragments obscured in history and environment, and a call to presences marked by silence or absence, her work seeks to respond to trauma, fragility, and disquiet, while opening fissures toward other possibilities of existence.
韩倩，1993年出生于武汉，2016年获得意大利罗马美术学院艺术版画学士学位，2021年获法国巴黎国立高等美术学院高等艺术造型本硕双学位。现生活工作于武汉和昆明。
韩倩的创作结合了录像、装置、行为、版画等多种媒介。长期以来，她关注着时间、记忆以及黏附着这两者的物与历史痕迹。她的工作围绕着个人家庭与工业迁移的线索展开，关注数代人的迁徙与定居，并对其中不断改变的地景、身份政治和地缘认同展开重新想象及感知。
透过对隐藏线索与脆弱材料的梳理与形塑，她的创作聚焦于边缘生命的脆弱性，以及在权力系统下被忽视和剥夺的个体经验。她的实践既是对历史与环境中被遗忘片段的追索，也是对沉默与缺席状态下存在的呼唤，回应创伤、脆弱与不安，尝试为另一种存在的可能性打开缝隙。
Education
2017 - 2021 École Nationale Supérieure des Beaux-Arts de Paris, Paris, France
2012 - 2016 Accademia di Belle Arti di Roma, Italy
教育背景
2017 - 2021 法国巴黎国立高等美术学院
2012 - 2016 意大利罗马国立美术学院
Solo Exhibitions
Vers la patrie invisible, Westwerk, Hamburg, Germany, 2025
Mon Visage, Gallery Where, Beijing, 2025
Whichever Stone You Left, Surplus Space, Wuhan, 2024
The Seeds Fall with the Wind Slows Down, Goethe Institut (China), Beijing, 2023
Before the beginning and after the end..., ISA Gallery, Shanghai, 2023
Videos by the Sea, Aranya Art Center, Qinhuangdao, 2023
The Molten Reef, We Space, Shanghai, 2022
Se tient au centre du monde avec une bande de herissons blottis, Silencieux,
Exposition DNSAP, Beaux-Arts de Paris, France, 2021
DNAP, Beaux-Arts de Paris, France, 2019
Intervalles De La Durée, Galerie du Crous, Paris, France, 2019
个展及双个展
Vers la patrie invisible, Westwerk，德国汉堡，2025
“我的面庞”，Gallery Where，北京，2025
“无论捡起哪块石头”，剩余空间，武汉，2024
“风慢了，种子掉落下来”，北京德国文化中心·歌德学院(中国)，北京，2023
“在开始之前和结束之后...”，一弄画廊，上海，2023
“海边影像”，阿那亚艺术中心，秦皇岛，2023
“熔炼的暗礁”，We Space， 上海，2022
“站在世界的中心 与一群紧依偎的刺猬，沉默”，巴黎国立高等美术学院，巴黎， 2021
DNAP，巴黎国立高等美术学院，巴黎，2019
“绵延之间”，Galerie du Crous画廊，巴黎，2019
Selected Group Exhibitions
Surplus Value, Surplus Space, Wuhan, 2025
Recovering Time, Annual Report of Chinese Contemporary Photography and Video,
Shanghai Duolun Museum of Modern Art, Shanghai, 2025
To the Image: A Correspondence, Ennova Art Museum, Beijing, 2025
Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography, Fotografiska, Shanghai, 2025
Still There, 69 Art Campus, Beijing, 2025
Mobility and Gathering, Home and Me, Entrance Space, Hainan, 2025