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Artist, Writer (b.1993)


Han Qian's work is based on body and perceptual time, focusing on the intertwined and entwined time that stretches between reality and imagination, the everydayness and the other, as well as reflecting on personal identity and its narrative through the threads of memory, dreams, and history. Attempting to present her creative projects as a constant journey between the past and the present, within which the private individual is a ghost-like thread, searching for the possibility of symbiosis and dialogues with external and historical identity. The artist employs a variety of mediums such as video, installation, performance, and text.


Han Qian investigates the migration and reconstruction of China's iron and steel industry from north to south in the twentieth century within the context of her own three-generational family history. She initiated a series of field-research-based creative projects that examined the genealogy of natural resources, political discourses behind this historical narrative, and the changing fates of the individuals who inhabited it.



2017 - 2021  École Nationale Supérieure des Beaux-arts de Paris, Paris, France

2012 - 2016  Accademia di belle arti di Roma, Italy

Selected Exhibitions

Videos by the SeaAranya Art Center, 2023


 Polar Night, Yello Space, Curator Li Boyan, Mianyang, 2022

The Molten Reef, We Space, Shanghai, 2022

Darkness Repeats, Zeto Art, Paris, France, 2022


Se tient au centre du monde avec une bande de herissons blottis, Silencieux,  Exposition DNSAP, Atelier Ann Veronica Janssens, Beaux-arts de Paris, France, 2021

Jardin Secret, Théâtre des Exposition, Paris,  France, 2021

La Representation D'Inquietude Et L'Inquiétude De La Représentation, Paris Asian Art Fair, Paris, France, 2020

Photo Saint Germain, Paris, France, 2019


La Fenêtre, Galerie 89, Paris, France, 2019

DNAP, Beaux-Arts de Paris, Atelier Patrick Tosani, Paris, France, 2019

Concrete China, Galerie Raibaudi Wang, Paris, France, 2019

Intervalles De La Durée,  Galerie du Crous, Paris, France, 2019

Fake Festival, Galerie Paris horizon, Paris, France, 2018

Family of No Man,  Cosmos / Arles 2018, Arles, France, 2018

Synchronisation, Espace des arts sans frontières, Paris, France, 2018


Park Chae Biole and Park Chae Dalle, La maison fraternelle, Paris, 2021

Poem and Video Art,Jiazazhi Press, Ningbo, 2021

Poem and Video Art, La Strada, Suzhou, 2021

Festival ISOKORPUS, Annecy au Théâtre de l'Échange, Annecy, France, 2022

Floating,Guangdong Museum of Art, Guangdon, 2022

In The Stillness Between Two Waves Of The SeaGoethe Institut, Beijing, 2022


Field and Its Disguises: Six Thesis, Research-Based Curatorial Project Shortlist, OCAT INSTITUTE,Beijing 
Project Team: Chen Baiqi, Cheng Xinhao, Hanqian, Yang Yunchang


艺术家,写作者 (b.1993)

韩倩的创作从身体与感知时间出发,关注在真实和想象、日常与他者中绵延出的交织时间, 通过记忆、梦境与历史 为线索对个人身份和其历史展开思考。试图将她的创作作为不断往返于过去与现在的旅程,私密的个体在其内如同幽灵般的线索,寻找与外部和历史身份共生的可能和对话。她的创作实践以录像、装置、行为、版画与文本为媒介。




2017 -  2021  法国巴黎国立高等美术学院

2012 - 2016   意大利罗马国立美术学院




熔炼的暗礁We Space, 上海,2022

“幽暗的复沓”, Zeto Art, 巴黎, 2022

“站在世界的中心 与一群紧依偎的刺猬,沉默”Atelier de Ann Veronica Janssens, 巴黎国立高等美术学院, 巴黎, 2021

Jardin Secret, Théâtre des Exposition, 巴黎, 2021

“不安的表象”, Asia Now 巴黎亚洲艺术博览会, 巴黎, 2020

Photo Saint Germain, 巴黎, 2019

“橱窗”,  89画廊, 巴黎, 2019

DNAP, Atelier de Patrick Tosani工作室,巴黎国立高等美术学院, 巴黎, 2019

Concrete China, Raibaudi Wang画廊, 巴黎, 2019

“绵延之间”,  Galerie du Crous画廊, 巴黎, 2019

“伪造的节日”, Galerie Paris Horizon画廊, 巴黎, 2018

Family of No Man,  Cosmos Arles, 法国阿尔勒国际摄影节, 阿尔勒, 2018
Synchronisation, Espace des arts sans frontières艺术空间, 巴黎, 2018


像波浪,我们从内部涌出。 一吨计划,上海,2022



Park Chae Biole and Park Chae Dalle, La maison fraternelle,法国巴黎,2021



Festival ISOKORPUS,Annecy au Théâtre de l'Échange,法国安纳西,2022




田野及其伪装:六个论题,OCAT研究型展览策展计划入围方案,OCAT INSTITUTE,北京,2022

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