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Biography

Han Qian (b. 1993, Wuhan) graduated from the Accademia di Belle Arti di Roma and the École Nationale Supérieure des Beaux-Arts de Paris. She currently lives and works between Wuhan and Kunming.

Her practice spans video, installation, performance, and printmaking. Over the years, she has been concerned with time, memory, and the material traces and historical residues that adhere to them. Beginning with micro-histories drawn from family narratives and industrial migration, her work traces the movements and settlements of several generations within rapidly shifting landscapes, re-examining questions of identity politics and geopolitical belonging.

In this process, her attention to individual experience extends toward broader forms of life. Through the reconfiguration of hidden clues and fragile materials, and by reorganizing residual objects, bodily gestures, and spatial relations, she attempts to bring overlooked ruptures back into visibility. Her practice is both a search for fragments forgotten within history and environment, and a call toward presence within absence—responding to trauma and unease while opening other ways of sensing lives at the margins of history.

CV

EDUCATION

2017 - 2021  École Nationale Supérieure des Beaux-Arts de Paris, France

2012 - 2016  Accademia di Belle Arti di Roma, Italy

SOLO EXHIBITION

2025, Vers la patrie invisible, Westwerk, Hamburg, Germany 

2025, Mon Visage, Gallery Where, Beijing, China


2024, Whichever Stone You Left, Surplus Space, Wuhan, China

2023, The Seeds Fall with the Wind Slows Down, Goethe Institut (China), Beijing, China

2023, Before the beginning and after the end..., ISA Gallery, Shanghai, China

2023, Videos by the Sea, Aranya Art Center, Qinhuangdao, China

2022, The Molten Reef, We Space, Shanghai, China

2021, Se tient au centre du monde avec une bande de herissons blottis, Silencieux,  DNSAP, Beaux-Arts de Paris, France

2019, DNAP, Beaux-Arts de Paris, France

2019, Intervalles De La Durée,  Galerie du Crous, Paris, France

SELECTED GROUP EXHIBITIONS

 

​​​2026, Inorganic Poetics, Mom Art Space, Hamburg, Germany

 

2026, Roots x Branches Beyond the Pacific, Chongqing Comtemporary Art Museum, Chongqing, China

 

2026, Where Time Has YieldedP.art Group, Shanghai, China

 

2026, Stay Connected: Supplying the Globe, Tai Kwun, Hongkong, China

 

2026, Earthed: Reconnecting with the ground, Guangdong Museum of Art, Guangzhou, China

 

2025, Laughter, Huang Xiaopeng Art & Education Society, Art Museum of Pond Loach, Qiangyuan, China

2025, Surplus Value, Surplus Space, Wuhan, China

2025, Recovering Time, Annual Report of Chinese Contemporary Photography and Video, 

Shanghai Duolun Museum of Modern Art, Shanghai, China

2025, To the Image: A Correspondence, Ennova Art Museum, Beijing, China

 

2025, Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography, Fotografiska, Shanghai, China

2025, Still There, 69 Art Campus, Beijing, China

 

2025, Mobility and Gathering, Home and Me, Entrance Space, Hainan, China

2024, The Vanished Garden, Shanghai, China

 

2024, Shanghai International Photography Festival, Shanghai, China

2024, The Near, The Far, Gallery Where, Beijing, China

​​

2024, The Exhibition Of Annual of Contemporary Art Of China SHANGHAI(2023), 

Shanghai Duolun Museum of Modern Art, Shanghai, China

2024, Fuxian Lake Travelogue, Hyperspace Art cube, Kunming, China

 

2024, Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography,

Guangdong Times Museum, Guangzhou, China

 

2024, Citywalk Together, Nomadism is a permanent displacement, Entrance Space, Zhengzhou, China

2023, From the Other Hill, Guardian Art Center, Beijing, China

2023, Foggy Island, Modern Art Museum, Shanghai, China

2023, Fluidscape, Unique Art Center, Chengdu, China
 
2023, At Sunrise and Sunset, Tides Rise and Fall, QiMu Space, Beijing, China

2023, Knock, Knock, Knock, Prework x Veenue Gallery, Shanghai, China
 
2022, Polar Night, Yell Space, Mianyang, China

2022, Darkness Repeats, Zeto Art, Paris, France

2021, Jardin Secret, Théâtre des Exposition, Palais des Beaux-Arts, Paris,  France

2019, Photo Saint Germain, Paris, France

2019, Concrete China, Galerie Raibaudi Wang, Paris, France

2018, Fake Festival, Galerie Paris Horizon, Paris, France

SCREENING / FESTIVAL

2026, U&M Space, Guangzhou, China

2025, The Third Familylens International Film Festival, Beijing
, China

2025, Crossing: A collaborative screening program taking place across China,Wam x CGK x KADIST, Kunming, China

2025, BAM Film, Brooklyn, New York, USA

2024, Hishorts! Film Festival, Xiamen
, China

2024, Wuhan Bailin Film Festival, Wuhan, China
 
2024, Searching for my connection to this land, Qiantai OSF, Guangzhou
, China
 
2024, Geography and Identity in Images, Guangdong Times Museum,
Guangzhou
, China

2024, CIFRA & Sleepless Art Night, Venice, Italy

2024, Chinese Film Festival Hamburg, Hamburg
, Germany

2024, Festival La Prèmier Fois Film Documentaire, Marseille, France

2023, IV Festival de Videoartistas Chinas, Cuernavaca, Mexico

2023, Natural Vicissitude - Abandoned Territories, Pixel Row Vol.5, West Bund Museum, Shanghai
, China

2023, Videos by the Sea: Stillness Between Two Waves of the Sea, Goethe Institut (China), Beijing
, China

2023, Videos by the Sea: Stillness Between Two Waves of the Sea, He Art Museum, Shunde
, China

2022, Floating, Guangdong Museum of Art, Guangdong
, China
 
2022, Festival ISOKORPUS, Annecy au Théâtre de l'Échange, Annecy, France
 
2021, Poem and Video Art, La Strada, Suzhou
, China
 
2021, Poem and Video Art, Jiazazhi, Ningbo
, China
 
2021, Park Chae Biole and Park Chae Dalle, La Maison Fraternelle, Paris, 
France

ARTIST RESIDENCY

2026, Insight, Greater Khingan, China

2026, Cité Internationale des Arts, Paris, France


2025, Westwerk, Hamburg, Germany
 
2024, Gazelleer-Novel, Tengchong
, China

2023, Grand Corner x Fuxian Art Project, Chengjiang
, China

2022, Goethe Institut (China) x Cache Space, Beijing, China

ART FAIR

2020, La Representation D'Inquietude Et L'Inquiétude De La Représentation, Paris Asian Art Fair, Paris, France

AWARDS

2024, Finalists for “New Ways of Seeing" section, Sleepless Video Art Night, CIFRA, Venice, Italy

2024, Special Mention Award, Hamburg Chinese Film Festival, Germany

CO-CURATED PROJECT

2022, Field and Its Disguises: Six Thesis, Research-Based Curatorial Project Shortlist, OCAT, Beijing, China
Project Team: Chen Baiqi, Cheng Xinhao, Han Qian, Yang Yunchang

MEDIA FEATURE

Connecting Asian Women Artists (CAWA), Work from Home: Six Women Artists Working from the Domestic

DUOLUN VOICE | VOL.143 HAN QIAN: Stillness Between Two Waves of the Sea

Connecting Asian Women Artists (CAWA), Wandering into the Depths of Nature: Fieldwork and Environmental Narratives of Contemporary Chinese Women Artists

ARTBBS|HAN QIAN: Old Shoes and a Long Journey

Ennova Art Museum, Conversation Review | Pain in Motion: The Gaze of the Imagination and Concealed Women’s History

LEAP, Working Hours | Han Qian:But heard, half-heard

The Art Journal: From The Knowledge of Love to The Flying Tiger – 11 creators’ recommendations of female reading

Artisle, Talk | HAN QIAN: The Flow of Memory


LEAP,  Le « labyrinthe des illusions » (milou) et la réalité : à la recherche des spectres de la société

The Art Journal, TAJ Review 2024 | Looking back at 2024 through 42 solo exhibitions by 28 Chinese artists: A breakthrough year for female artists, and a surge of activity from all quarters in the search for new creative horizons

Centre for Experimental Film, The Asynchronous Witness

The Art Journal, New Perspectives | Here in a Foreign Land: Han Qian’s Media of Memory and Nostalgic Nostalgia

ArtReview, ARC Exhibition Review | Displaced Writing, Vanishing Routes – A Review of Han Qian’s Solo Exhibition Whichever Stone You Left
 
Vogue, Art Club |Six young artists reflecting on nature, humanity, technology and cultural phenomena whilst travelling

 

ING | Drift, linger, then carry on

The Seeds Fall with the Wind Slows Down

ARTBBS, BBSpeak | HAN QIAN:An Unintended Memorial

Buoyant Views|HAN QIAN: Before the beginning and after the end...

Ocula Spotlight | How Do Objects Speak? — The Gains and Losses of the
Aranya Trio Exhibition

Radius,At the Aranya Lonely Library: a memory of times gone by

Buoyant Views|Han Qian’s Homeland, Memories and Nostalgia

​ARTFORUM, The Molten Reef|ARTFORUM Review

Reviews The Molten Reef: A depiction of bounded spaces and open memories

The Molten Reef: A Discussion of Recent Works by Han Qian and Zhao Yu

 

PUBLICATION

2025, 
«Why Walk?» ,ARTNOW

2024, 
«The City We Live In» ,Shanghai International Photography Festival&The 17TH Shanghai International Photography Art Exhibition

2024, 
«Work Time» , LEAP, Fall/Winter

2024, « labyrinthe des illusions » (milou) et la réalité : à la recherche des spectres de la sociétéLEAP, Habiter Le Flux Édition franco-chinoise

2024, «Displaced Writing, Vanishing Routes – A Review of Han Qian’s Solo Exhibition Whichever Stone You Left», ArtReviews, Summer Issue

2023, «From the Other Hill» , Beijing Jin Shangyi Art Foundation

2023,
«Obtaining New Language and Memory in Artist-in-Residency» , Art Monthly

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