Han Qian (b. 1993, Wuhan) graduated from the Accademia di Belle Arti di Roma and the École Nationale Supérieure des Beaux-Arts de Paris. She currently lives and works between Wuhan and Kunming.
Her practice spans video, installation, performance, and printmaking. Over the years, she has been concerned with time, memory, and the material traces and historical residues that adhere to them. Beginning with micro-histories drawn from family narratives and industrial migration, her work traces the movements and settlements of several generations within rapidly shifting landscapes, re-examining questions of identity politics and geopolitical belonging.
In this process, her attention to individual experience extends toward broader forms of life. Through the reconfiguration of hidden clues and fragile materials, and by reorganizing residual objects, bodily gestures, and spatial relations, she attempts to bring overlooked ruptures back into visibility. Her practice is both a search for fragments forgotten within history and environment, and a call toward presence within absence—responding to trauma and unease while opening other ways of sensing lives at the margins of history.
韩倩，1993年出生于武汉。先后毕业于罗马美术学院与巴黎国立高等美术学院。现生活、工作于武汉与昆明。
韩倩的创作结合了录像、装置、行为、版画等多种媒介。长期以来，她关注着时间、记忆以及黏附着这两者的物与历史痕迹。她的工作常从个人家庭与工业迁移的微观线索出发，追索数代人在剧变地景中的迁徙与定居，并由此重新感知身份政治与地缘认同。
在此过程中，她将这种对个体经验的关怀延伸至更广阔的生命维度。透过对隐藏线索与脆弱材料的梳理，借由对物之残余、身体动作与空间关系的重组，她尝试使那些被忽略的断裂重新显形。她的实践既是对历史与环境中遗忘片段的追索，也是在缺席状态下对存在的呼唤，由此回应创伤与不安，并为历史边缘的存在打开另一种感知的可能。
Education
2017 - 2021 École Nationale Supérieure des Beaux-Arts de Paris, France
2012 - 2016 Accademia di Belle Arti di Roma, Italy
教育背景
2017 - 2021 法国巴黎国立高等美术学院
2012 - 2016 意大利罗马国立美术学院
Solo Exhibitions
Vers la patrie invisible, Westwerk, Hamburg, Germany, 2025
Mon Visage, Gallery Where, Beijing, 2025
Whichever Stone You Left, Surplus Space, Wuhan, 2024
The Seeds Fall with the Wind Slows Down, Goethe Institut (China), Beijing, 2023
Before the beginning and after the end..., ISA Gallery, Shanghai, 2023
Videos by the Sea, Aranya Art Center, Qinhuangdao, 2023
The Molten Reef, We Space, Shanghai, 2022
Se tient au centre du monde avec une bande de herissons blottis, Silencieux,
Exposition DNSAP, Beaux-Arts de Paris, France, 2021
DNAP, Beaux-Arts de Paris, France, 2019
Intervalles De La Durée, Galerie du Crous, Paris, France, 2019
个展及双个展
Vers la patrie invisible, Westwerk，德国汉堡，2025
“我的面庞”，Gallery Where，北京，2025
“无论捡起哪块石头”，剩余空间，武汉，2024
“风慢了，种子掉落下来”，北京德国文化中心·歌德学院(中国)，北京，2023
“在开始之前和结束之后...”，一弄画廊，上海，2023
“海边影像”，阿那亚艺术中心，秦皇岛，2023
“熔炼的暗礁”，We Space， 上海，2022
“站在世界的中心 与一群紧依偎的刺猬，沉默”，巴黎国立高等美术学院，巴黎， 2021
DNAP，巴黎国立高等美术学院，巴黎，2019
“绵延之间”，Galerie du Crous画廊，巴黎，2019
Selected Group Exhibitions
Stay Connected: Supplying the Globe, Tai Kwun, Hongkong, 2026
Earthed: Reconnecting with the ground, Guangdong Museum of Art, Guangzhou, 2026
Laughter, Huang Xiaopeng Art & Education Society, Art Museum of Pond Loach, Qiangyuan, 2025
Surplus Value, Surplus Space, Wuhan, 2025
Recovering Time, Annual Report of Chinese Contemporary Photography and Video,
Shanghai Duolun Museum of Modern Art, Shanghai, 2025
To the Image: A Correspondence, Ennova Art Museum, Beijing, 2025
Photographic Geomancy: Images, Fieldwork, and the Poetics of Geography, Fotografiska, Shanghai, 2025
Still There, 69 Art Campus, Beijing, 2025
Mobility and Gathering, Home and Me, Entrance Space, Hainan, 2025