
《灰烬,一寸呼吸》
综合材料,三频高清有声录像装置,彩色有声,20秒
尺寸可变,2017
当韩倩搬离巴黎第一个住所,在将其整理清空的过程中,她质疑了曾经在这里的存在,感到这个曾经生活了一年的屋宇被过往日常中的痕迹所萦绕。
顺着滚筒粘黏房间每一寸空间的灰尘,艺术家试图通过这一行为将日常被忽视的痕迹再次提取与塑造。这些收集的房间灰尘,最终拼贴而成一幅抽象绘画。试图去感知那些隐藏在时间中的细微介质,把回忆与无法忆起之物的结合当作唤起记忆和想象的途径。
Dust, an inch of breathing
Mixed media, Synchronous three-channel HD video, color and sounds, 20sec
Dimensions variable, 2017
When Qian moved out of her first apartment in Paris, in the process of emptying it, she questioned the fact that she had ever existed. she felt that the house where she had lived for a year was surrounded by traces of her past routine.
By sticking the dust to every inch of the room with a roller, the artist attempts to extract and reshape the neglected traces of daily routine through this act. The dust collected from the rooms is eventually collaged into an abstract painting. In an attempt to perceive the subtle mediums hidden in time, and using the combination of memories and unrememberable objects as a way to evoke memories and imagination.
“突然,一间亮着灯的卧室出现在我面前,我几乎可以触摸到它。我早已进入它的角落里,而百叶窗感到了我,关了起来。”
Rainer Maria Rilke

灰尘,综合材料,拼贴
Dust, Mixed media, collage
