在韩倩搬离巴黎第一个住所时,将它归置于原始的模样。在这个从无到有再成为无的这个周而复始的过程中,这个“家”的空间不断的缩小又扩大,在整理家宅的记忆时,她对于自身曾经存在过的事实产生了了疑问。

她收集了这一年的灰尘试图揭露那些隐藏在时间中的细节从而证明她曾经的存在, 并把回忆与无法忆起之物的结合当作唤起记忆和想象的途径。

When Qian moved out from her first apartment in Paris, she rearranged it to its origianl condition. During the repetitive process of the apartment being "emptied", "refilled" and "emptied" again, the space of Qian's "home" has been shrunken and expanded.

When she was sorting out the memories of the space, she has doubted the facts that was she once existed.

she collected all the dust who is hidden in the space, she was trying to find any evidences to prove her existence in the past year. And to combined the memories and unremarkable things as a way to evoke memories and imaginations.