Here, Now, Always

Reversal film, slide projector, employee cards, red brick, gloves, overalls, iron plate, 2023

 

The artist rephotographed a collection of old worker identification cards, alongside images she took of the ruins left behind after the demolition of former residential communities. These fractured urban landscapes, rendered as negatives, become a form of inverted testimony. In the continuous loop of a vintage slide projector, the images appear randomly and in alternation—attempting to weave a disordered temporal structure between folds of history and the artist’s personal memory.