Intervening Time
2018-2019
对韩倩来说，家宅是个充满诗意的概念。自2018年10月至2019年10月，韩倩记录了自己这一年起床和睡觉的时间。在持续一年的项目中，这些日期与影像如某种记忆之物，串联起了个体对于过往记忆和感知的想象，在非线性的日常中将不同的时间和空间转变成可被感知的内在材料与意识。韩倩希望通过这两个时刻之间的缝隙，完成一次日常的重组、想象力的重建以及对自我存在的寻迹。
Qian began collecting my daily wake-up and bedtime over a year, from October 2018 to October 2019, containing the date of each day and the exact time Qian woke up and went to bed. The empty spaces represent the days she was away from home.The home space is a place full of poetry, as a daily position on a space, and in a certain degree, also the position in a period of time.
Qian wanted to complete a reorganisation and imaginative reconstruction of her daily meetings with two defined points in time. In a year-long project, Qian wanted to make an imaginary reorganisation and reconstruction from two specific points in time and the certainty of the existence of the self.
These mnemonic dates stimulate the individual's imagination of his or her own memory of the past and perception of things, transforming them into a perceptible inner matter; an awareness of something; the sum of experiences of things felt in everyday time, thus forming an activity.
日历，装置
Calendars edition, installation
