亚克力 UV 喷绘印刷， 20x30x30cm
UV Print Under Acrylic Plexiglas
《19天，30分钟》
装置，亚克力 UV 喷绘印刷
尺寸可变，2019
这组由38张图像构成的装置作品，是艺术家韩倩在巴黎连续19天拍摄日出与日落的记录，最终汇集成38张图像。
在脱离了钟表时间的语境下，人们很难凭图像辨认出哪些是日出、哪些是日落。第一天的黎明与黄昏，在第十九天已自然错位，最终出现了30分钟的时间偏移。这段日常中难以察觉的变化，被封存在图像表面看似静止实则流动的光线中。
艺术家试图通过这一重复的拍摄与图像悬置的方式，将时间的滑移与循环具象化，使这些难以被察觉的“时差”成为感知的隐秘路径。
19 Days, 30 Minutes
Installation, UV print under acrylic plexiglass
Dimensions variable, 2019
This installation of 38 images is composed of photographs taken by Han Qian over 19 consecutive days, capturing the moments of sunrise and sunset in Paris.
Stripped of conventional time markers, the viewer can no longer distinguish between sunrise and sunset. By the nineteenth day, the times of dawn and dusk had naturally shifted, resulting in a 30-minute discrepancy.
This barely perceptible change—embedded in the ambiguous light and repetition of the images—suspends our experience of daily time. The artist offers these fragile shifts as a quiet threshold through which we might begin to sense the elasticity and layering of time.
Exhibition Views
Beaux-Arts de Paris, France, 2021