Exhibition View
Gallery Where, Beijing, 2025

After the passing of her grandmother, the artist found a fabric bottari filled with cloth scraps. These pieces originated from old family garments that her grandmother had torn by hand into regular shapes for future reuse. This accumulation of cloth serves as a gathering of her life’s trajectory and the passage of time.

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In this work, the artist sews nylon stockings together with copper wire into a soft bundle, aiming to re-enact and activate this long-obscured, invisible female labor. Through a minimal gesture of stitching, she transforms these fragments of daily life into a structure of both suppleness and tension. The work seeks to weave what remains "between words"—a material language that records the survival traces of women, migrants, and marginalized groups, which are constantly rewritten, obscured, and resurfaced on the fringes of macro-history.